In an orchestral context, the E flat is often playing with the real piccolo in at the same pitch, well nearly! To clarify, should the sound of E flat be small scale or try to match the rest of the clarinets? You can decide for yourself, much of the repertoire for the E flat is written at high dynamic levels implying that composers intend it to have its own voice.(Excerpts Shos 6 Rite Mahler 1) This can make the Eflat player rather unpopular with any nearby colleagues. little clarinet, or as an extension of the normal clarinet family. ![]() There is some debate as to whether one should think of the E flat as a piccolo, i.e. ![]() Playing the piccolo or to use its other name, the E flat clarinet, can be unpleasant experience!
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